One of creative writing’s decisive advantages over similar arts is its low barrier to entry. The writer needs little more than a way to produce text, whether word processor, blog template, or pen and paper. Great work can be created at minimal expense; the labor is mostly in the head.
This doesn’t mean that the writer should become complacent and be contented with standbys like Word and iWork or even higher-grade tools such as Scrivener. Writing-specific apps, especially distraction-free and corrective ones, have come to the fore over the past decade, and while many of them aren’t so useful (for example, I wasn’t so high on the overbearing Hemingway) there are some that can be hacked for neat effects.
I previously discussed how both Google Keep and Notif Pro – neither one a “writing” app per se – can be used to improve the writing process. Although one may never find herself composing “Ulysses” in Google Keep, it serves as a scrapbook and a way to air mental dirty laundry. Notif Pro is great way to see and manipulate the top idea in your mind, through persistent notifications with lists and photos.
Simple, barebones text editors are powerful creative writing tools. Many were designed for composing source code, but they have features that make them uniquely conducive to offbeat poetry and prose composition. In these examples, I mostly consider TextWrangler, a free text editor for OS X that I first started using in early 2013 to write Python files:
Writing poetry in Word or Google Drive is painful because it feels like a prose tool is being contorted into a poetry one. TextWrangler et al treat text as a collection of discrete lines rather than a blob of contiguous words.
This paradigm is naturally suited to poetry. Plus, the white space that naturally occurs between blocks of code and poem stanzas, and the source code comments that are often written in apps like TextWranger, inspires avant-garde approaches to creative writing.
Through TextWrangler, I got the idea for commented poetry. By that I mean poetry in which a blank line is left above each line so that the poet can make meta-comments on the poetry. It’s easier to show than tell:
I doubt I’m the first person to take this approach, but I know that I would not have thought of it had I stuck to Word or Drive. The notion of text as just lines on a page is utilitarian and literalist, but effective for unlocking new creative angles.
Text is text in text editors. Fonts, sizing, and automatic spacings from copy/paste cease to be bottlenecks. Writers can focus on ideas and execution instead of wrangling with style. Poetry, more so than prose, has little need for elaborate formatting or supplementary material. A text editor like TextWrangler helps because it gets out of the way.
The upgraded version of TextWrangler, BBEdit, has other features such as clippings and scratchpad (no need to create an entirely new file just to temporarily hold text you may not end up needing) that ease poetry and prose composition. Repetitive poetry, even on a super-simple level, can be powerful, while advanced pieces often employ motifs (“The Raven,” anyone?).
One of my favorite workflows in TextWrangler is writing a poem, taking a screenshot of its finished state, and then editing the photo in something straightforward like Pixlr Express. The stark interface of TextWrangler provides an earthy grounding to the eventual visual poem: